was first a star, second a filmmaker. Before the sudden appearance and disappearance of UMUT, Güney was already well known as a writer and political activist. But his most celebrated cultural role was that of "The Ugly King" (Cirkin Kiral) of the Turkish screen. In contrast to handsome matinee idols, Güney displayed a rough persona, something similar to Belmondo, John Garfield and the early Brando. Today he remains probably the most popular star of Turkish cinema, and in addition, has gained the aura of a political martyr. From prison, Güney coordinates the production activities of his followers in the Revolutionary Cinema movement, publishes political texts and screenplays. In short, he has achieved an almost mythical status in both the cinema and popular culture of Turkey.

http://www.bostonturkishfilmfestival.org/2005Festival/umut_info.htm

His film "Umut" looks heart wrenching:

http://www.youtube.com/watch?v=_hBBUAUAWoQ

NO CLUE